Feeds:
Posts
Comments

Archive for the ‘4 ‘Staches’ Category

Movie Review by Matthew Schuchman- Four out of Five ‘Staches.

Reclusive filmmaker, Terrence Malick is back again with his fifth film in the last 40 years. In his attempt to answer the ultimate question of life, the universe and everything; Malick’s answer is definitely not, 42. The film will confuse people; there is no doubt about it. While others will be turned off by its slow pace and unconventional structure. But if you sit and take the time to analyze the film, the end result of all its parts, is quite amazing. (more…)

Read Full Post »

In honor of “Hobo With A shotgun” hitting theaters today, I am reposting my review. As well, I have just finished interviewing the film’s director, Jason Eisner. Stay tuned for audio segments of the interview as well as some pictures from tonight’s “Hobo With A Shotgun” party!

Movie Review by Matthew Schuchman- Four out of Five ‘Staches.

Even in the middle of watching “Hobo With A Shotgun” I thought to myself, “How can I even begin to try to rate a film like this, even if I enjoyed the whole thing?”  This morning however, the more I thought about the movie, the more I smiled and laughed again.  My original intention was to not rank it at all and just talk about it, but I can no longer hold back, “Hobo With A Shotgun” is a master stroke and does everything right that “Machete” missed on. (more…)

Read Full Post »

Movie Review by Matthew Schuchman- Four out of Five ‘Staches.

Open your Netflix account, close your eyes and click  around. The chance is high you’ll land on a movie revolving around cops, criminals, drugs and corruption. “The Guard,” the feature length directorial debut of writer John Michael McDonagh definitely fits this bill.  But through clever and witty writing, fantastic character portrayals and the smarts to not over complicate the story, “The Guard” is an absolute winner and one of the best films I have personally seen thus far at the 2011 Tribeca Film Festival. (more…)

Read Full Post »

Movie Review by Matthew Schuchman- Four out of Five ‘Staches.

It usually is a dangerous thing for a film to remind you too much of another. Richard Ayoade’s feature directing debut, “Submarine” (based on the novel by Joe Dunthorne) definitely channels some Wes Anderson style and spirit.  But while Ayoade draws inspiration from a few of his predecessors, his work goes far enough as to carve out its own brilliant niche in the world of films that deal with the pressures of life and misguided adolescence. (more…)

Read Full Post »

Movie Review by Matthew Schuchman- Four out of Five ‘Staches.

It always bothers me that I never get a really good look at a lot of movie creatures.  The recent film “Monsters” was more about humans than the alien octopi you hardly saw and in “Cloverfield” they kept the creature from really being seen for more than a second.  Hell, there wasn’t even anything to see in “The Blair Witch Project.” While I don’t need to see a monster to make a movie worth while, I do yearn for a movie that can work well on its own, but still give me that creature thrill I am looking for. Well, if you are like me, then your movie is here and it is called, “The Troll Hunter” (Trolljegeren). (more…)

Read Full Post »

Movie Review By Matthew Schuchman-Four out of Five ‘Staches.

Among the many descriptions that can explain “Rubber” (gorgeous, funny, bloody) the one term that does not fit is; unoriginal.  In fact, “Rubber” is not just original, it pretty much sums up all my complaints about the cookie cutter format of popular films today. I walked out of “Rubber” a little shell-shocked from the experience, but the more thought I put into it, the more amazing it became. (more…)

Read Full Post »

Movie Review by Matthew Schuchman- Four out of Five ‘Staches.

Even in the middle of watching “Hobo With A Shotgun” I thought to myself, “How can I even begin to try to rate a film like this, even if I enjoyed the whole thing?”  This morning however, the more I thought about the movie, the more I smiled and laughed again.  My original intention was to not rank it at all and just talk about it, but I can no longer hold back, “Hobo With A Shotgun” is a master stroke and does everything right that “Machete” missed on. (more…)

Read Full Post »

Movie Review by Matthew Schuchman- Four out of Five ‘Staches.

When it was announced that the Coen Brothers were remaking the film that garnered John Wayne his only Academy Award and the appreciation of even the most stout John Wayne haters, I was not surprised.  Westerns are not unfamiliar territory for the brothers.  While their adaptation of Cormac McCarthy’s “No Country For Old Men” is easily identifiable as a modern Western, some of their most popular films are what can be described as Neo-Westerns.  Both “Raising Arizona” and “The Big Lebowski” are most definitely Westerns, just not in the traditional sense and both share some principal themes explored in “True Grit”; their first straight forward traditional Western. (more…)

Read Full Post »

Movie Review by Matthew Schuchman- Four out of Five ‘Staches

Darren Aronofsky splashed onto the scene with his hyper-speed thriller, “PI”.  It was gritty and unsettling and it made everyone want more.  He followed it up with “Requiem for a Dream,”  a dark, nervous and unflinching adaptation of the Herbert Selby novel.  It was a masterpiece that will go down in film history as the greatest film you may only want to see, just once.  While his following films were not bad, they were nothing to write home about. “Black Swan” is Aronofsky’s return to brilliance and while some people may not return for a second viewing, as with “Requiem for a Dream”; this film will get into your head and stay there.

Natalie Portman plays Nina, a ballerina who falls into what you would consider the typical stereotype you may have for a dancer of her kind.  Very focused on her dance and nothing else; perfection in her art comes second to nothing.  She is already noticeably unsteady when it comes to her mental state when the film starts, but as she prepares to take the lead in a production of Swan Lake, her fear of imperfection in all facets of her life begins to ramp up.

There have been films before this one that explore the stress, competition and need to be the best when it comes to dancing.  “Black Swan” takes the concept and turns it into a vacuous nightmare that will leave you startled and tense, all while taking your breath away.  The visuals range from the gorgeous to the creepy. At times the changes are made effortlessly and while you know what is truly happening, the lines of reality and madness still seem blurred.

The problem I had with Aronofsky’s, “The Wrestler” was that is was a very clichéd story and the movie really lived on one thing and that was Mickey Rourke’s performance.  Yes, “Black Swan” is not the most original idea when it comes to its plot, but it handles it in a completely new way, rendering anything similar to it, small and pathetic.  Natalie Portman, like Rourke, not only carries the film, but truly makes it her own.  I’ve never been a huge fan of Portman’s; she’s good, but hasn’t ever done anything to really knock me off my feet.  The work she turned in for “Black Swan” however, is exceptional.  Portman looked at the door marked “Big Time Actress,” and instead of step through it, she knocked down the walls around it.  Throughout the film she holds her own, but the range and sudden changes of emotions she exhibits in the finale of “Black Swan” will impress even the most snobbish critic.

While the film focuses on the world of dance and the ballet, the moral isn’t confined to that space. We all grow up wanting to be perfect in some way, desirous of being the person that everyone envies or admires.  However, it is important to remember that our imperfections are what make us desirable.  The most trained ballerina may be able to perform a pirouette more graceful than most, but there is always someone else who can do it just as well, if not better.  Technique is just something you can obtain with practice, but true beauty comes from being able to feel something inside yourself that makes you, if nothing more, a little different from the person standing next to you.

As with my review of, “Love and Other Drugs”, I will mention this in the name of full disclosure.  Yes, there is a pretty intense sexual scene between Natalie Portman and Mila Kunis.  No, you do not see any naked body parts and I hope everyone sees this movie, because it’s an experience not to be missed, and has nothing to do with the sex scene.  There are few films that exist without fault.  Some of the visual metaphors tightly straddle a fine line between some of the most incredible visuals you will see on film and some that are overly ridiculous. Luckily, those few over the top spots are quick and don’t ruin the movie experience as a whole.  “Black Swan” has something to offer every type of audience member.  It’s for the dancers, the film buffs, the people who want to be scared and the people who just enjoy seeing beautiful women on the silver screen.  Let it be noted though, this film will terrify and haunt you in more ways than one.  It also does for nail care and nail care products, what “Psycho” did for showers; so be prepared.

Read Full Post »

Movie Review by Matthew Schuchman- Four out of Five ‘Staches

For a brief time, I could not stand Danny Boyle.  It was for no reason other than the fact that he became popular.  It is like a band that you are really into, who have a good following but have not caught the eye of the mainstream.   Then, they release a single that becomes a big hit and all the people you abhor now love it; I’m looking in your direction Incubus.  Eventually I came to my senses, especially when “28 Days Later” hit the theaters.  Now, there is no question in my mind that Danny Boyle is a very special film maker and I cannot think of anyone else who could have brought the story of “127  Hours” to the screen with such power and grace.

It is a tough sell, a film based on a true story, that has James Franco by himself with his arm wedged between two rocks for 90 minutes.  If you do not know or recall, “127 Hours”  is the true survival story of Aron Ralston, who ultimately amputated his arm to free himself from this predicament.  It is  hard to imagine how a film would deal with this situation and make it engrossing enough to keep the viewer interested where the protagonist doesn’t move from one spot for most of the film.  The end result is thrilling, thought-provoking, disturbing, tense, entertaining and flat-out fantastic.   Like “The Social Network”, the film uses the true events of one subject and builds a story that can speak to anyone, even if their life is nothing like that of the main character.

I feel if this film was made by someone else, there is no way it could share the same heart and tact that Danny Boyle brings to the table.  This is especially evident when it comes to the point where Ralston has to frantically cut his arm off.  It would be wrong to not show anything and just take it easy on the audience, since this man really did this to himself.  If he can suffer through that, we can suffer through some gory makeup effects.  However, make it too long and focus too much on keeping the camera right there for the whole thing is sadistic.  While the end result is disturbing and a little tough to take for a  few seconds, it could not have been handled any better.  The entire film was frantic enough to make  you uncomfortable,  yet it was an extremely thoughtful fair that exceeded my expectations.

Now, when you commit to making this film, you must have the right person to carry the movie and I will admit; James Franco has never really wowed me as an actor.  The performance he turns in here though really hit the nail on the head in every sense.  You have to give the guy credit where credit is due, he came off as genuine and really was able to take the audience through some tough experiences, both physical and mental, with ease.   With “Buried”, another recent film that deals with one character in one space for the whole movie, the need to succumb to improperly placed jokes or light-heartedness hurts the film on an intellectual and emotional level.  Both Boyle and Franco however,  bring those elements of comedy and wit , but deal with them much more maturely or better yet, with dignity.

I am not going to say this is another award winner for Boyle or maybe one for Franco, I need to think about that a bit more.  I can say, however, that “127 Hours” is worth everyone’s times.  The only real bad thing about “127 Hours” is like a movie such as, “Requiem For A Dream”, a lot of viewers will be hard pressed to spend another 90 minutes with “127 Hours” when it comes to the Netflix queue.

Read Full Post »

Older Posts »